This post is the second in a series of three. Yesterday I reviewed this year’s Eisner Award nominees for Early Readers. Today I turn to the nominees for Kids, which I assume means roughly middle-grade readers, around 8 to 12 years old (see my post of May 17 for an overview of all young readers’ categories). Once again, I’ve tried to describe every book fairly, while acknowledging my favorites. I’ll be back soon with a third and final post about the nominees for Teens. This is all about getting ready to cast my votes before the June 6 deadline! (For information about voting, see here). Buzzing, by Samuel Sattin and Rye Hickman (Little, Brown Ink) A book for our time: a neurodivergent Bildungsroman, plus a paean to creative and queer community, in the form of a Dungeons & Dragons-like RPG that gives the protagonist, a young man with OCD, a group of nonjudgmental friends with whom he can be free. He just has to persuade his anxious mother that playing the RPG will be good, not bad, for him. OCD is a familiar topic in disability-themed comics, but Buzzing does something new. Intrusive thoughts are cleverly represented through visual metaphor (a swarm of bees, buzzing), while the cartooning is lively and the cast delightful. Vivid! Mabuhay! by Zachary Sterling (Scholastic Graphix) A Filipino American brother and sister struggle to balance assimilation pressures at school with filial obligations at home. Forced to work on their family’s food truck, they are alienated and resentful – until their family must unite to, I guess, save the world? This acculturation fantasy starts with everyday complaints and embarrassments, then lurches into magic and monsters inspired by Filipino folklore. Sterling’s elastic, manga-flavored cartooning shows his expertise in animation design: characters are distinct, and emote hugely, with broad expressions. The action is frenetic; the plot feels juryrigged. The lessons in filial piety are rather on the nose, I think. Mexikid: A Graphic Memoir, by Pedro Martín (Dial Books for Young Readers). This memoir made my Best-of-2023 list for The Comics Journal. Young Pedro, his many siblings, and mom and dad make an epic road trip to the family’s ancestral hometown in Mexico, there to reunite with his grandfather. Americanized Pedro is often startled by what he learns on the way. Exuberant and graphically tricky, with many inventive, diagram-like pages, Mexikid is a loving tribute to family in all its quirkiness and complexity. In the home stretch, Martín shifts, convincingly, from hilarity to grief, tenderness, and new depths. I’m teaching this in the fall, and it’s my strong favorite in this category. Missing You, by Phellip Willian and Melissa Garabeli. translation by Fabio Ramos (Oni Press) Neotenic cuteness (think Bambi) vies with hard-won lessons about grief and letting go in this gorgeous, disquieting book. A family nurses a wounded fawn back to health, even as they cope with the loss of one of their own. Caring for the deer seems to heal their own hurts, yet they know the deer must someday go back to the woods. Prepare yourself for the inevitable parting (and note, along the way, the deer’s own sad backstory, its own remembered parting). Garabeli’s sumptuous watercolors and elegant pages boost the already considerable power of this of course manipulative, yet beguiling, heartwringer. Saving Sunshine, by Saadia Faruqi and Shazleen Khan (First Second) Feuding twins, sister and brother, make peace during a family trip to Key West. There they learn to care for each other, even as they nurse an enormous loggerhead turtle that lies ailing on the beach. As Muslims from a Pakistani American family, they share a history of struggling against racism and Islamophobia, which informs both their quarreling and their reconciliation. Rendered in digital watercolor, with some lovely, open pages, this book at first leans into adult-centered didacticism (these kids need to learn a lesson), but happily brings nuance and sympathy as it goes. So: predictable arc, but surprising details. Some final thoughts: I'm surprised that Dan Santat's A First Time for Everything was not nominated in this category. It is contending in the category of Best Graphic Memoir, though. (Interestingly, most of the nominated memoirs this year could be considered either middle-grade or YA books.) I obtained all of the above books from the Los Angeles Public Library, save one, Missing You. My sense is that graphic novels published by the children's imprints of the "Big 5 (Hachette, HarperCollins, Macmillan, Penguin Random House, Simon & Schuster) are easy to find in LAPL. Unsurprisingly, so are books from Scholastic, the market leader in children's GN publishing. With other presses, or children's imprints that are not so well known, I had trouble; for example, I could not find a couple of nominated books from Oni Press. We know that the middle-grade graphic novel is (besides manga) the busiest and most profitable sector in US comics publishing. It is also a sector that produces a lot of formulaic work. Reigning themes in middle-grade comics perhaps reflect reigning themes in children's book publishing, period: social negotiation among friends, acculturation, loyalty to family and culture, displacement, loss. Often an adult-centered didacticism clings to books with these themes: I note that the young protagonists of Mabuhay! and Saving Sunshine complain about their parents' decisions, but there is never any suggestion that the parents might need to question their choices (what parents do is not up for debate). When reading middle-grade comics, I often have a feeling that I know just what is happening, and what prosocial messages are meant to be reinforced. I get impatient with that feeling. That said, I've enjoyed reading almost all of this year's middle-grade nominees. To me, the most interesting ones by far are Buzzing and Mexikid, as they are the most formally inventive. It happens that they are also the ones that most clearly resist the thumping didacticism I'm complaining about. Not coincidentally, they have the most complex adult characters as well (though props to Missing You for showing adults and children grieving together). Still to come: this year's Teen nominees!
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