Graphic Novels for Children and Young Adults: A Collection of Critical Essays. Edited by Michelle Ann Abate and Gwen Athene Tarbox. University Press of Mississippi, 2017. ISBN 978-1496818447. Paperback, 372 pages, $30.
Newsflash! Graphic Novels for Children and Young Adults (2017), edited by Michelle Ann Abate and Gwen Tarbox, and including a score of essays by diverse authors, has just been (re-) released in paperback. It came out last year, but now, at last, I have a softcover copy of my own that I can annotate and mark up in the usual ruthless way. Yes!
This is an essential collection, a landmark in the academic consideration of children's and Young Adult comics. Readers of Gwen's contribution to our Teaching Roundtable may know, or may wish to know, that her post builds on and adds detail to ideas set forth in this book, specifically in her essay, "From Who-villle to Hereville: Integrating Graphic Novels into an Undergraduate Children's Literature Course." Also, Roundtable participant Joe Sutliff Sanders has an essay in the book on children's digital comics!
I haven't quite figured out how to teach English 392 yet, but I do know that this is going to be one of the required texts.
This post is about teaching. As I said when I started KinderComics, one of my goals in doing this blog is to brainstorm publicly about a course I'll be teaching this coming Fall 2018 semester at CSU Northridge: an English Honors seminar titled Comics, Childhood, and Children's Comics (English 392). Despite having taught at the intersection of comics and children's culture for years (including bringing comics into my entry-level Children's Literature class and designing courses on picture books that also explore comics), this upcoming Honors seminar marks the first time I've actually pitched a course devoted to children's comics per se. I'm excited about the prospect, and honestly a bit daunted by it too.
Why daunted? Comics and childhood, together, make for a sprawling, complex area—and perhaps you can tell from my course's title that I haven't yet committed to a particular focus. Which is to say that I haven't decided how to delimit the course or what objectives to put front and center. I've been thinking about those things for a while. Thing is, the students and I will have fifteen weeks together, which in practice, experience tells me, means about twelve weeks tops for introducing new readings. What's more, part of the brief for an Honors seminar with, say, between a dozen and twenty students is that the students take turns presenting to and teaching one another, sharing the results of deep, self-directed research (fitting challenges for an advanced course). So it seems clear that I'll have to make some severe choices when it comes to focusing down. Yow!
I've thought of at least four potential foci that are important to me:
All these areas seem important. Child characters are central to the satirical and sentimental uses of comics and to the form's popular spread; the history of moral panic is crucial to understanding comics' reputation, even now; the depiction of childhood in adult texts is key to the burgeoning alternative comics and graphic memoir canon, from Binky Brown to My Favorite Thing Is Monsters; and the sheer popularity of graphic novels for young readers today is a trend so dramatic as to throw all the other areas into a new light. So, the question for me is, what objectives do I want students to achieve as they work at the crossroads of comics and childhood?
With all this in mind, I'm inviting several of my close colleagues in children's comics studies to join me here in an intermittent series of posts that I'll call a Teaching Roundtable. This roundtable will amount to, again, brainstorming, and perhaps debating the importance of our different teaching objectives. First up, TOMORROW, will be Dr. Joe Sutliff Sanders, author of, among other things, the new book A Literature of Questions: Nonfiction for the Critical Child (U of Minnesota Press, 2018), editor of The Comics of Hergé: When the Lines are Not So Clear (UP of Mississippi, 2016), and faculty member at the Children's Literature Research Centre at the University of Cambridge. Joe will be following up on this initial post -- readers, please come back tomorrow to follow and chime in on the discussion! Add your voices! Thanks.
Students are just starting to enroll in my fall course, English 392: Comics, Childhood & Children's Comics -- which means that it's flyer season! I made this one by poaching, then frankly overstuffing, the cover of the recent Moon Girl #29 (Marvel, March 2018), by the terrific cartoonist Natacha Bustos. To Bustos, I added elements by Busch, Hergé, McCay, Quino, Schulz, Takeuchi, Telgemeier, and Yang, as well as a freight load of (unavoidable) text. I'm not guaranteeing that all those creators will be covered in 392, but just trying to signal the kind of range I'd like the course to have.
Strictly nonprofit and educational, folks. May Bustos (and everyone else) forgive me!
Starting tomorrow, in this space: the first KinderComics Teaching Roundtable!
See Hatfield, comics and children's culture scholar