Peter & Ernesto: A Tale of Two Sloths. By Graham Annable. First Second, 2018. ISBN 978-1626725614. $17.99, 128 pages. Book design by Danielle Ceccolini.
Cartoonist, animator, and director Graham Annable (The Book of Grickle, Puzzle Agent, The Grickle Channel on YouTube, etc.) is a wickedly smart humorist working his own distinctive vein of anxious, twitchy, sometimes disturbing comics, films, and games. At times his work is very dark: some readers may remember his tale "Burden" (Papercutter #3, Fall 2006), reprinted in The Best American Comics 2008 (edited by Lynda Barry). Sometimes his work is more eager to please, but still uneasy; I'd place the Laika film The Boxtrolls, which he co-directed, in that category. The various Grickle projects are pure Annable, a window onto his sensibility: nervous humor, odd beats, and bug-eyed characters who look a lot like Annable's own thumbnail image from Twitter:
Peter & Ernesto is Annable's first children's book. It's terrific and strange: a buddy story in which the two buddies are mostly separated. One, Ernesto, seeks adventure and new experience. The other, Peter, craves security and sameness. They happen to be sloths. Their story begins in a treetop, as together the two of them indulge in the happy pastime of reading the shapes of clouds: a friendly idyll. Right away, though, the two diverge. As Peter joyfully basks in the unchanging familiarity of their lives, Ernesto begins to look—well, restless. And almost worried. As if the smallness of their shared world is closing in on him. The scene is tender, anxious, and funny, like the book as a whole:
From there, Ernesto takes off to see the world, going where Peter dare not follow. But Peter’s concern for Ernesto overtakes his fear, and he sets out after his friend as if to protect him from the wide world—even though Peter can hardly bear to face that world himself. For much of the book, then, Peter follows belatedly behind Ernesto, so that the reader re-experiences places they have already visited, pages earlier—but it’s much different the second time around. As Ernesto revels in the unexpected thrills of his frankly improvised journey, Peter encounters the same scenes, and hurdles, with fear and trembling. There’s a lot of loopy business en route, much of it involving other comic animals, before a neat, affirming close. Annable’s comic timing his great, he mines Peter’s anxious qualms for tender, empathetic humor, and the world comes out seeming like a grand place.
Implicitly, Peter & Ernesto is an odd-couple narrative for both brave, venturesome kids and diffident, anxious ones. There are a lot of children’s stories like this: depictions of sometimes contrasting and yet loyal friends. I hear an echo of Arnold Lobel’s Frog and Toad books here (Frog and Toad Are Friends and its four sequels, 1970-1979), and Annable has said that they were indeed an influence. Sesame Street's Ernie and Bert come to mind too. What I particularly like about Peter & Ernesto is its deft cartooning and comic timing—and the way Annable, a poet of nervousness, gets me to sympathize with both the world-conquering Ernesto and especially the timorous, uncertain Peter.
Drawn in Photoshop with customized brushes, Peter & Ernesto boasts a ragged, trembling line and organic look. It is beautifully and subtly colored: Peter and Ernesto live in a great green and blue world. Yet it’s Annable’s shivery lines and coarse textures that set the book apart—those, and his animator’s knack for distinctive and expressive character design. Peter and Ernesto are very easy to tell apart. As for the other players—monkeys, dromedary, tapir, whale, and so on—they are great cartoon characters, all. Annable keeps things schematic and clear, with page layouts that vary discreetly among full-page panels and two, three, and four-panel grids (oh, but there's one glorious exception that you'll have to see for yourself). Every panel is a rectangle bounded by the same thick, ragged black line, but this sameness grounds the book and brings it to life, rhythmically. All parts work together. In short, Peter & Ernesto is a little triumph of spare, funny cartooning, and comes highly recommended.
A sequel is coming. That's good news.
First Second provided a review copy of this book.
See Hatfield, comics and children's culture scholar